Brett Manning – Singing Success 360

SS 360 produces extraordinary success for budding singers as well as for seasoned pros. Its methods are a unique blend of secrets that shave off years of vocal frustration. The result of this ground-breaking method? Singing success.

Brett Manning – Singing Success 360

Singing Success 360 is a total, vocal workout plan designed to coordinate every muscle of the voice essential to great singing.

SS 360 begins with the lowest vocal register, the chest voice, moving through to the head voice, integrating both with the ever elusive and most commercially sounding voice: the mixed voice. Utilizing the “speaking” muscles while simultaneously disengaging the “swallowing” muscles, our seven techniques designed to induce relaxation, range and tonal brilliance will undeniably improve your tactical progress. SS 360 produces the highest quality of vocal ease than any methodology in the world.

SS 360 ends with a focus on style. Beginning with a variety of vocal drills, licks, and runs, the first two lessons drive the singer to apply its vocal principles to musical styles as various as the blues, gospel, R&B, country and pop. SS 360 ends applies the same vocal principles to improvisation in a way that frees the voice spontaneously to explore its new range. The singer that makes it this far in the course finds it to be the most liberating part of the entire program.

SS 360 produces extraordinary success for budding singers as well as for seasoned pros. Its methods are a unique blend of secrets that shave off years of vocal frustration. The result of this ground-breaking method? Singing success.

Get immediately download Brett Manning – Singing Success 360

Technique
Discovering Your Voice
Discovering High Notes
Discovering Vocal Power
Discovering Vocal Power
Discovering Vocal Freedom
Discovering Melody
Discovering Mastery

Style
Discovering Basic Licks, Trills, & Runs
Discovering Advanced Licks, Trills, & Runs
Discovering Your Sound
Discovering Stylistic Subtleties
Discovering Musical Genres
Discovering Improvisation
Discovering The X Factor

Your Instructor

Brett Manning é um dos treinadores vocais mais procurados da indústria da música. Brett teve o privilégio de trabalhar com muitos dos principais artistas da atualidade como: Leona Lewis, Hayley Williams, Jimmy Gnecco, Taylor Swift, John Michael Montgomery, Luke Bryan, Lauren Mayberry (CHVRCHES), Keith Urban, Mikky Ekko, Miley Cyrus e a lista continua. Brett também trabalhou com os elencos de produções da Broadway de Les Miserables e Jekyll e Hyde, bem como com a equipa da Broadway de Aida de Elton John. Brett é conhecido pelas suas demonstrações divertidas e encorajadoras, mostrando como até os novos cantores podem experimentar uma melhoria imediata no alcance, na facilidade e na qualidade de sua voz. Apaixonado por ensinar cantores de todos os tipos, independentemente de seu nível de habilidade, localização geográfica ou aspirações profissionais, Brett criou uma série de programas de treino audio para disponibilizar os seus incríveis métodos de ensino para todos os cantores, de qualquer lugar do mundo. O método Singing Success ajudou centenas de milhares de cantores em mais de 164 países ao redor do mundo.

Get immediately download Brett Manning – Singing Success 360

Course Curriculum

Intro to Technique: Technique Defined

1-01 Introduction and Objectives

1-02 Vocal Registers_v2

1-03 Additional Thoughts

1-04 Terminology Overview

1-05 Singing

1-06 Vocal Cords

1-07 Resonance

1-08 Vocal Register

1-09 Chest Voice

1-10 Head Voice

1-11 Falsetto

1-12 Vocal Fry

1-13 Whistle Register

1-14 Mixed or Middle Voice

1-15 Whisper Register

1-16 Conclusion On Register

1-17 Break Disconnect Crack Flip

1-18 Bridge Passage Area

1-19 Connection

1-20 Larynx Voice Box

1-21 Adam’s Apple

1-22 Vibrato

1-23 Staccato

1-24 Glottal Stroke

1-25 Legato

1-26 Delineation Marcato

1-27 Crescendo Dimenuendo

1-28 How This Technique Works

Technique 1 – Discovering Your Voice

2-01 How To Use This Program 1

2-02 Technique 1 Objectives 1

2-03 Ex 1- Humming 5 Tone Scale

2-04 Ex 1- Humming 5 Tone Scale Male Full Demo Affirmation

2-05 Ex 1- Humming 5 Tone Scale Female Full Demo Affirmation

2-06 Ex 2- Lip Rolls 5 Tone Scale

2-07 Ex 2 -Lip Rolls 5 Tone Scale Male Full Demo Affirmation

2-08 Ex 2- Lip Rolls 5 Tone Scale Female Full Demo Affirmation

2-09 Ex 3- Lip Rolls Octave Arpeggio

2-10 Ex 3- Lip Rolls Octave Arpeggio Male Full Demo Affirmation

2-11 Ex 3- Lip Rolls Octave Arpeggio Female Full Demo Affirmation

2-12 Ex 4- Tongue Trill 9 Note Scale

2-13 Ex 4- Tongue Trill 9 Note Scale Male Full Demo Affirmation

2-14 Ex 4- Tongue Trill 9 Note Scale Female Full Demo Affirmation

2-15 Ex 5- Goo Goo Goo Long Scale

2-16 Ex 5- Goo Goo Goo Long Scale Male Full Demo Affirmation

2-17 Ex 5- Goo Goo Goo Long Scale Female Full Demo Affirmation

2-18 Ex 6- Nay Nay Nay Octave Arpeggio

2-19 Ex 6- Nay Nay Nay Octave Arpeggio Male Full Demo Affirmation

2-20 Ex 6- Nay Nay Nay Octave Arpeggio Female Full Demo Affirmation

2-21 Ex 7- Warmdown Descending Slide

2-22 Conclusion 1

Technique 2 – Discovering High Notes

3-01 Introduction & Objectives 1

3-02 Ex 1 Humming 5 Tone Minor Scale 1

3-03 Ex 1 Humming 5 Tone Minor Scale Male Full Demo Affirmation

3-04 Ex 1 Humming 5 Tone Minor Scale Female Full Demo Affirmation

3-05 Ex 2 Lip Roll Octave Arpeggio 1

3-06 Ex 2 Lip Roll Octave Arpeggio Male Full Demo Affirmation

3-07 Ex 2 Lip Roll Octave Arpeggio Female Full Demo Affirmation

3-08 Ex 3 Closed Mouth_B_Sound

3-09 Ex 3 Closed Mouth_B_Sound Male Full Demo Affirmation

3-10 Ex 3 Closed Mouth_B_Sound Female Full Demo Affirmation

3-11 Ex 4 Lip Rolls 1.5 Octave Scale

3-12 Ex 4 Lip Rolls 1.5 Octave Scale Male Full Demo Affirmation

3-13 Ex 4 Lip Rolls 1.5 Octave Scale Female Full Demo Affirmation

3-14 Ex 5 Trumpet Head Scale 1

3-15 Ex 5 Trumpet Head Scale Male Full Demo Affirmation

3-16 Ex 5 Trumpet Head Scale Female Full Demo Affirmation

3-17 Intermission…

3-18 Ex 6 Nay Nay Nay Long Scale 1

3-19 Ex 6 Nay Nay Nay Long Scale Male Full Demo Affirmation

3-20 Ex 6 Nay Nay Nay Long Scale Female Full Demo Affirmation

3-21 Ex 7 Mum Mum Mum Scale 1

3-22 Ex 7 Mum Mum Mum Scale Male Full Demo Affirmation

3-23 Ex 7 Mum Mum Mum Scale Female Full Demo Affirmation

3-24 Ex 8 Warmdown 1

3-25 Conclusion 1

Technique 3 – Discovering Vocal Power

4-01 Introduction & Objectives 1

4-02 Ex1-Hum Into Vocal Fry Descending Scale

4-03 Ex1-Hum Into Vocal Fry Descending Scale Male Full Demo Affirmation

4-04 Ex1-Hum Into Vocal Fry Descending Scale Female Full Demo Affirmation

4-05 Ex2-Low Voice-OhYeah

4-06 Ex3-Oh Vocal Fry to Chest Scale

4-07 Ex3-Oh Vocal Fry to Chest Scale Male Full Demo Affirmation

4-08 Ex3-Oh Vocal Fry to Chest Scale Female Full Demo Affirmation

4-09 Ex4-Lip Rolls Slow Tempo Rossini Scale

4-10 Ex4-Lip Rolls Slow Tempo Rossini Scale Male Full Demo Affirmation

4-11 Ex4-Lip Rolls Slow Tempo Rossini Scale Female Full Demo Affirmation

4-12 Ex5-No No No Rossini Scale

4-13 Ex5-No No No Rossini Scale Male Full Demo Affirmation

4-14 Ex5-No No No Rossini Scale Female Full Demo Affirmation

4-15 Ex6-Gug Gug Gug Octave Scale

4-16 Ex6-Gug Gug Gug Octave Scale Male Full Demo Affirmation

4-17 Ex6-Gug Gug Gug Octave Scale Female Full Demo Affirmation

4-18 Ex7-Bub Bub Bub Scale

4-19 Ex7-Bub Bub Bub Scale Male Full Demo Affirmation

4-20 Ex7-Bub Bub Bub Scale Female Full Demo Affirmation

4-21 Ex8-Warmdown

4-22 Ex8-Warmdown Scale Male Full Demo Affirmation

4-23 Ex8-Warmdown Scale Female Full Demo Affirmation

4-24 Conclusion 1

Technique 4 – Discovering The Light Voice

5-01 Introduction & Objectives 1

5-02 Ex 1 Relaxed Descending Wee 1

5-03 Ex 2 Pulling Head Voice Down 1

5-04 Ex 2 Pulling Head Voice Down Male Full Demo Affirmation

5-05 Ex 2 Pulling Head Voice Down Female Full Demo Affirmation

5-06 Ex 3 Lip Rolls on a Mixed Octave Scale 1

5-07 Ex 3 Lip Rolls on a Mixed Octave Scale Male Full Demo Affirmation

5-08 Ex 3 Lip Rolls on a Mixed Octave Scale Female Full Demo Affirmation

5-09 Ex 4 Wee Wee Wee Head Rossini Scale 1

5-10 Ex 4 Wee Wee Wee Head Rossini Scale Male Full Demo Affirmation

5-11 Ex 4 Wee Wee Wee Head Rossini Scale Female Full Demo Affirmation

5-12 Ex 5 Light Mix _ng_ sound Octave Slides 1

5-13 Ex 5 Light Mix _ng_ sound Octave Slide Male Full Demo Affirmation

5-14 Ex 5 Light Mix _ng_ sound Octave Slides Female Full Demo Affirmation

5-15 Ex 6 Goo Nu Descending Rosini Scale 1

5-16 Ex 6 Goo Nu Descending Rosini Scale Male Full Demo Affirmation

5-17 Ex 6 Goo Nu Descending Rosini Scale Female Full Demo Affirmation

5-18 Ex 7 Mum Mum Mum Descending Scale

5-19 Ex 7 Mum Mum Mum Descending Scale Male Full Demo Affirmation

5-20 Ex 7 Mum Mum Mum Descending Scale Female Full Demo Affirmation

5-21 Ex 8 Warmdown & Conclusion 1

Technique 5 – Discovering Vocal Freedom

6-01 Introduction and Objective 1

6-02 Ex 1 Voc Fry ng 9 Note Scale

6-03 Ex 1 Voc Fry ng 9 Note Scale Male Full Demo Affirmation

6-04 Ex 1 Voc Fry ng 9 Note Scale Female Full Demo Affirmation

6-05 Ex 2 Lip Roll Trumpet Rossini Scale 1

6-06 Ex 2 Lip Roll Trumpet Rossini Scale Male Full Demo Affirmation

6-07 Ex 2 Lip Roll Trumpet Rossini Scale Female Full Demo Affirmation

6-08 Ex 3 Nu Nuuh Octave Scale 1

6-09 Ex 3 Nu Nuuh Octave Scale Male Full Demo Affirmation

6-10 Ex 3 Nu Nuuh Octave Scale Female Full Demo Affirmation

6-11 Ex 4 Staccato Waltz Edge Rossini Scale

6-12 Ex 4 Staccato Waltz Edge Rossini Scale Male Full Demo Affirmation

6-13 Ex 4 Staccato Waltz Edge Rossini Scale Female Full Demo Affirmation

6-14 Ex 5 Staccato then Legato Waltz Edge Rossini Double Scale

6-15 Ex 5 Staccato then Legato Waltz Edge Rossini Double Scale Male Full Demo Affirmation

6-16 Ex 5 Staccato then Legato Waltz Edge Rossini Double Scale Female Full Demo Affirmation

6-17 Ex 6 Mmm Muh Octave Scale

6-18 Ex 6 Mmm Muh Octave Scale Male Full Demo Affirmation

6-19 Ex 6 Mmm Muh Octave Scale Female Full Demo Affirmation

6-20 Ex 7 Aah with Tongue Out Scale 1

6-21 Ex 7 Aah with Tongue Out Scale Male Full Demo Affirmation

6-22 Ex 7 Aah with Tongue Out Scale Female Full Demo Affirmation

6-23 Ex 8 Warmdown Hum 1

6-24 Conclusion 1

Technique 6 – Discovering Melody

7-01 Introduction and Objectives

7-02 Ex 1 Lip Rolls National Anthem

7-03 Ex 1 Lip Rolls National Anthem Male Version

7-04 Ex 1 Lip Rolls National Anthem Female Version

7-05 Ex 2 Melodic Scale oo and ee in Head Voice

7-06 Ex 2 Melodic Scale oo and ee in Head Voice Male Full Demo Affirmation

7-07 Ex 2 Melodic Scale oo and ee in Head Voice Female Full Demo Affirmation

7-08 Ex 3 Nuh Buh Double Rossini Scale

7-09 Ex 3 Nuh Buh Double Rossini Scale Male Full Demo Affirmation

7-10 Ex 3 Nuh Buh Double Rossini Scale Female Full Demo Affirmation

7-11 Ex 4 My Girl

7-12 Ex 4 My Girl Male Full Demo Affirmation

7-13 Ex 4 My Girl Female Full Demo Affirmation

7-14 Ex 5 We Will Rock You

7-15 Ex 5 We Will Rock You Male Full Demo Affirmation

7-16 Ex 5 We Will Rock You Female Full Demo Affirmation

7-17 Ex 6 I Am Not Alone

7-18 Ex 6 I Am Not Alone Male Full Demo Affirmation

7-19 Ex 6 I Am Not Alone Female Full Demo Affirmation

7-20 Ex 7 Melodic Warmdown

7-21 Conclusion

Technique 7 – Discovering Mastery

8-01 Introduction and Objectives

8-02 Ex 1 Lip Rolls or Tongue Trills Rossini Scale

8-03 Ex 2 Lip Rolls or Tongue Trills on a Mixed Octave Scale

8-04 Ex 3 Lip Rolls or Tongue Trills on a 3 Octave Scale

8-05 Ex 4 Lip Rolls or Tongue Trills on a Double Mixed Octave Scale

8-06 Ex 4 Lip Rolls or Tongue Trills on a Double Mixed Octave Scale Male Full Demo Affirmation

8-07 Ex 4 Lip Rolls or Tongue Trills on a Double Mixed Octave Scale Female Full Demo Affirmation

8-08 Ex 5 Sustained oo to uuh Arpeggio

8-09 Ex 6 Sustained ee to ih Arpeggio

8-10 Ex 7 Sustained oo to oh Arpeggio

8-11 Ex 8 Sustained ee to ay Arpeggio

8-12 Ex 8 Your Turn Explanation

8-13 Ex 5,6,7 and 8 Vowel Patterns Male Version Piano Scale

8-14 Ex 5,6,7,and 8 Vowel Patterns Female Version Piano Scale

8-15 Ex 9 Opening of Vowel Patterns from Narrow to Broad

8-16 Ex 9 Vowel Patterns 1,2,3 and 4 Male Version Piano Scale

8-17 Ex 9 Vowel Patterns 1,2,3 and 4 Female Version Piano Scale

8-18 Congratulations

Introduction to Style: Style Defined

1-01 Introduction and Defintion of Style

1-02 Trills Licks and Runs

1-03 Pronunciation

1-04 Attitude or Vibe

1-05 Scoops or Slides

1-06 Note Bend or Note Bounce

1-07 Vowel Bend

1-08 Falsetto

1-09 Classical Genre

1-10 Classical Genre Male Demo

1-11 Classical Genre Female Demo

1-12 Musical Theater Genre

1-13 Musical Theater Genre Male Demo

1-14 Musical Theater Genre Female Demo

1-15 Folk Genre

1-16 Folk Genre Male Demo

1-17 Folk Genre Female Demo

1-18 Pop Genre

1-19 Pop Genre Male Demo

1-20 Pop Genre Female Demo

1-21 Country Genre

1-22 Country Genre Male Demo

1-23 Country Genre Female Demo

1-24 Blues Genre

1-25 Blues Genre Male Demo

1-26 Blues Genre Female Demo

1-27 Jazz Genre

1-28 Jazz Genre Male Demo

1-29 Jazz Genre Female Demo

1-30 Gospel Genre

1-31 Gospel Genre Male Demo

1-32 Gospel Genre Female Demo

1-33 R&B Genre

1-34 R&B Genre Male Demo

1-35 R&B Genre Female Demo

1-36 Rock Genre

1-37 Rock Genre Male Demo

1-38 Rock Genre Female Demo

1-39 Conclusion

Style 1 – Discovering Basic Licks, Trills, & Runs

2-01 Introduction & Objectives 2

2-02 Ex 1 Note Delineation Up a Whole Step 1

2-03 Ex 1 Note Delineation Up a Whole Step Male Full Demo

2-04 Ex 1 Note Delineation Up a Whole Step Female Full Demo

2-05 Ex 2 Note Delineation Down a Whole Step 1

2-06 Ex 2 Note Delineation Down a Whole Step Male Full Demo

2-07 Ex 2 Note Delineation Down a Whole Step Female Full Demo

2-08 Ex 3 Note Delineation Up a Half Step 1

2-09 Ex 3 Note Delineation Up a Half Step Male Full Demo

2-10 Ex 3 Note Delineation Up a Half Step Female Full Demo

2-11 Ex 4 Note Delineation Down a Half Step 1

2-12 Ex 4 Note Delineation Down a Half Step Male Full Demo

2-13 Ex 4 Note Delineation Down a Half Step Female Full Demo

2-14 Ex 5 Same Note (Unison) Delineation 1

2-15 Ex 5 Same Note (Unison) Delineation Male Full Demo

2-16 Ex 5 Same Note (Unison) Delineation Female Full Demo

2-17 Ex 6 Downward Triplet Trill on Ooh Oh Ah 1

2-18 Ex 6 Downward Triplet Trill on Ooh Oh Ah Male Full Demo

2-19 Ex 6 Downward Triplet Trill on Ooh Oh Ah Female Full Demo

2-20 Ex 7 Upward Triplet Trill on Ooh Oh Ah 1

2-21 Ex 7 Upward Triplet Trill on Ooh Oh Ah Male Full Demo

2-22 Ex 7 Upward Triplet Trill on Ooh Oh Ah Female Full Demo

2-23 Ex 8 Descending Triplets Slow to Fast Tempo 1

2-24 Ex 8 Descending Triplets Slow to Fast Tempo Male Full Demo

2-25 Ex 8 Descending Triplets Slow to Fast Tempo Female Full Demo

2-26 Ex 9 Ascending Triplets Slow to Fast Tempo 1

2-27 Ex 9 Ascending Triplets Slow to Fast Tempo Male Full Demo

2-28 Ex 9 Ascending Triplets Slow to Fast Tempo Female Full Demo

2-29 Ex 10 Oh to oo Bagpipe Groove Triplets 1

2-30 Ex 10 Oh to oo Bagpipe Groove Triplets Male Full Demo

2-31 Ex 10 Oh to oo Bagpipe Groove Triplets Female Full Demo

2-32 Conclusion 1

Style 2 – Discovering Advanced Licks, Trills, & Runs

3-01 Introduction and Objectives 1

3-02 Ex 1 Warmup with Trills 1

3-03 Ex 1 Warmup with Trills Male Full Demo

3-04 Ex 1 Warmup with Trills Female Full Demo

3-05 Ex 2 Major Pentatonic Pattern 1

3-06 Ex 2 Major Pentatonic Pattern Male Full Demo

3-07 Ex 2 Major Pentatonic Pattern Female Full Demo

3-08 Ex 3 Minor Pentatonic Pattern 1

3-09 Ex 3 Minor Pentatonic Pattern Male Full Demo

3-10 Ex 3 Minor Pentatonic Pattern Female Full Demo

3-11 Ex 4 Minor Pentatonic Pattern Over Major Chords 1

3-12 Ex 4 Minor Pentatonic Pattern Over Major Chords Male Full Demo

3-13 Ex 4 Minor Pentatonic Pattern Over Major Chords Female Full Demo

3-14 Ex 5 Harmonic Minor Run 1

3-15 Ex 5 Harmonic Minor Run Male Full Demo

3-16 Ex 5 Harmonic Minor Run Female Full Demo

3-17 Ex 6 Note Bend Up and Triplet Down then Note Bend Down and Triplet Up 1

3-18 Ex 6 Note Bend Up and Triplet Down then Note Bend Down and Triplet Up Male Full Demo

3-19 Ex 6 Note Bend Up and Triplet Down then Note Bend Down and Triplet Up Female Full Demo

3-20 Ex 7 Upward Pentatonic then Descending Chromatic Scale 1

3-21 Ex 7 Upward Pentatonic then Descending Chromatic Scale Male Full Demo

3-22 Ex 7 Faster Upward Pentatonic then Descending Chromatic Scale Advanced Male Full Demo

3-23 Ex 7 Upward Pentatonic then Descending Chromatic Scale Female Full Demo

3-24 Ex 7 Faster Upward Pentatonic then Descending Chromatic Scale Advanced Female Full Demo

3-25 Conclusion 1

Style 3 – Discovering Your Sound

4-01 Introduction and Objectives

4-02 Ex 1 Vocal Texture From Breathy to Edgy

4-03 Ex 1 Vocal Texture From Breathy to Edgy Male Demo

4-04 Ex 1 Vocal Texture From Breathy to Edgy Female Demo

4-05 Ex 1 Buh and Vuh Variation

4-06 Ex 1 Buh and Vuh Variation Male Demo

4-07 Ex 1 Buh and Vuh Variation Female Demo

4-08 Ex 1 Instruction For Your Turn

4-09 Ex 1 Breathy to Edgy and Buh Vuh Male Version

4-10 Ex 1 Breathy to Edgy and Buh Vuh Female Version

4-11 Ex 2 Tonal Diversity Nasal to DeNasal

4-12 Ex 2 Tonal Diversity Nasal to DeNasal Male Demo

4-13 Ex 2 Tonal Diversity Nasal to DeNasal Female Demo

4-14 Ex 2 Buh and Nuh Demo Explanation

4-15 Ex 2 Buh and Nuh Male Demo

4-16 Ex 2 Buh and Nuh Female Demo

4-17 Ex 2 Instruction For Your Turn

4-18 Ex 2 Buh and Nuh Male Version

4-19 Ex 2 Buh and Nuh Female Version

4-20 Ex 3 Low vs High Larynx

4-21 Ex 3 Low vs High Larynx Male Demo

4-22 Ex 3 Low vs High Larynx Female Demo

4-23 Ex 3 Instruction For Your Turn

4-24 Ex 3 Low vs High Larynx Male Version

4-25 Ex 3 Low vs High Larynx Female Version

4-26 Ex 4 Relaxed Falsetto

4-27 Ex 5 Nasal Falsetto

4-28 Ex 6 Clear Falsetto

4-29 Ex 7 Phrasing with or without Vibrato

4-30 Ex 7 Excessive Vibrato Explanation

4-31 Ex 7 Excessive Vibrato Male Demo

4-32 Ex 7 Excessive Vibrato Female Demo

4-33 Ex 7 No Vibrato Explanation

4-34 Ex 7 No Vibrato Male Demo

4-35 Ex 7 No Vibrato Female Demo

4-36 Ex 7 Tasteful Vibrato Male Demo

4-37 Ex 7 Tasteful Vibrato Female Demo

4-38 Ex 7 Instruction For Your Turn

4-39 Ex 7 Phrasing with and without Vibrato Male Version

4-40 Ex 7 Phrasing with and without Vibrato Female Version

4-41 Ex 8 Tasteful Use of Vibrato on Album Version of Next To You

4-42 Ex 9 Application to Different Styles

4-43 Ex 9 Pop Demo

4-44 Ex 9 Jazz Demo

4-45 Ex 9 Rock Demo

4-46 Ex 9 Pop Your Turn

4-47 Ex 9 Jazz Your Turn

4-48 Ex 9 Rock Your Turn

4-49 Conclusion

Style 4 – Discovering Stylistic Subtleties

5-01 Introduction and Objectives

5-02 Ex 1 Licks Trills & Runs

5-03 Ex 1 Licks Trills and Runs Male and Female Demos

5-04 Ex 1 Licks Trills and Runs Key of G Version

5-05 Ex 1 Licks Trills and Runs Key of D Version

5-06 Ex 2 Using Vocal Fry Glottal Strokes and Flips into Falsetto

5-07 Ex 2 Vocal Fry Glottal Strokes and Flips into Falsetto Demo

5-08 Ex 2 Vocal Fry Glottal Strokes and Flips into Falsetto Your Turn

5-09 Ex 3 Phrasing

5-10 Ex 3 Spoken Lyric Male and Female Demos

5-11 Ex 3 What to listen for in the Phrasing Demos

5-12 Ex 3 Phrasing Demo 1

5-13 Ex 3 Phrasing Demo 2

5-14 Ex 3 Phrasing Demo 3

5-15 Ex 3 Phrasing Track 1 for Your Turn

5-16 Ex 3 Phrasing Track 2 for Your Turn

5-17 Ex 3 Phrasing Track 3 for Your Turn

5-18 Ex 4 Articulation Tour

5-19 Ex 5 Applying Articulation

5-20 Ex 5 Male Demo Spoken Lyric 1

5-21 Ex 5 Male Demo Sung Lyric 1

5-22 Ex 5 Female Demo Spoken Lyric 1

5-23 Ex 5 Female Demo Sung Lyric 1

5-24 Ex 5 Male Demo Spoken Lyric 2

5-25 Ex 5 Male Demo Sung Lyric 2

5-26 Ex 5 Female Demo Spoken Lyric 2

5-27 Ex 5 Female Demo Sung Lyric 2

5-28 Ex 5 Key of E Version Your Turn

5-29 Ex 5 Key of C Version Your Turn

5-30 Ex 5 Original Demo

5-31 Conclusion

Style 5 – Discovering Musical Genres

6-01 Introduction and Objectives

6-02 Ex 1 Male Classical Demo

6-03 Ex 1 Male Classical Brett Explanation

6-04 Ex 1 Female Classical Demo

6-05 Ex 1 Female Classical Brett Explanation

6-06 Ex 1 Classical Version Your Turn

6-07 Ex 2 Male Musical Theatre Demo

6-08 Ex 2 Male Musical Theatre Brett Explanation

6-09 Ex 2 Female Musical Theatre Demo

6-10 Ex 2 Female Musical Theatre Brett Explanation

6-11 Ex 2 Male Musical Theatre Version Your Turn

6-12 Ex 2 Female Musical Theatre Version Your Turn

6-13 Ex 3 Male Folk Demo

6-14 Ex 3 Male Folk Brett Explanation

6-15 Ex 3 Female Folk Demo

6-16 Ex 3 Female Folk Brett Explanation

6-17 Ex 3 Folk Version Your Turn

6-18 Ex 4 Male Blues Demo

6-19 Ex 4 Male Blues Brett Explanation

6-20 Ex 4 Female Blues Demo

6-21 Ex 4 Female Blues Brett Explanation

6-22 Ex 4 Blues Version Your Turn

6-23 Ex 5 Male Gospel Demo

6-24 Ex 5 Male Gospel Brett Explanation

6-25 Ex 5 Female Gospel Demo

6-26 Ex 5 Female Gospel Brett Explanation

6-27 Ex 5 Male Gospel Version Your Turn

6-28 Ex 5 Female Gospel Version Your Turn

6-29 Ex 6 Male Jazz Demo

6-30 Ex 6 Male Jazz Brett Explanation

6-31 Ex 6 Female Jazz Demo

6-32 Ex 6 Female Jazz Brett Explanation

6-33 Ex 6 Male Jazz Version Your Turn

6-34 Ex 6 Female Jazz Version Your Turn

6-35 Ex 7 Male R&B Demo

6-36 Ex 7 Male R&B Brett Explanation

6-37 Ex 7 Female R&B Demo

6-38 Ex 7 Female R&B Brett Explanation

6-39 Ex 7 Male R&B Version Your Turn

6-40 Ex 7 Female R&B Version Your Turn

6-41 Ex 8 Male Country Demo

6-42 Ex 8 Male Country Brett Explanation

6-43 Ex 8 Female Country Demo

6-44 Ex 8 Female Country Brett Explanation

6-45 Ex 8 Male Country Version Your Turn

6-46 Ex 8 Female Country Version Your Turn

6-47 Ex 9 Male Rock Demo

6-48 Ex 9 Male Rock Brett Explanation

6-49 Ex 9 Female Rock Demo

6-50 Ex 9 Female Rock Brett Explanation

6-51 Ex 9 Rock Version Your Turn

6-52 Ex 10 Male Pop Demo

6-53 Ex 10 Male Pop Brett Explanation

6-54 Ex 10 Female Pop Demo

6-55 Ex 10 Female Pop Brett Explanation

6-56 Ex 10 Male Pop Version Your Turn

6-57 Ex 10 Female Pop Version Your Turn

6-58 Conclusion

Style 6 – Discovering Improvisation

7-01 Introduction and Objectives

7-02 Introduction to Left Right Brain

7-03 Left Right Brain Excercise

7-04 Introduction to Chord Progression

7-05 Y2K Pop Demo 1

7-06 Y2K Pop Demo 2

7-07 Y2K Pop Demo 3

7-08 Y2K Pop Now It’s Your Turn

7-09 Pop Country Demo 1

7-10 Pop Country Demo 2

7-11 Pop Country Demo 3

7-12 Pop Country Now It’s Your Turn

7-13 Old Soul Demo 1

7-14 Old Soul Demo 2

7-15 Old Soul Demo 3

7-16 Old Soul Now It’s Your Turn

7-17 50’s Pop Demo 1

7-18 50’s Pop Demo 2

7-19 50’s Pop Demo 3

7-20 50’s Pop Now It’s Your Turn

7-21 Traditional Country Demo 1

7-22 Traditional Country Demo 2

7-23 Traditional Country Demo 3

7-24 Traditional Country Now It’s Your Turn

7-25 Conclusion

Style 7 – Discovering The X Factor

8-01 Introduction & Objectives

8-02 Audio Master Class Introduction and Warm Up

8-03 Male Pop Singer

8-04 Female Rock Singer

8-05 Male Country Singer

8-06 Female Country Singer

8-07 Conclusion

SS360 (Bonus Content)

Get immediately download Brett Manning – Singing Success 360

Resonance Demonstration Video (2:36)

Larynx Position Demonstration Video (3:58)

Outer Muscles of the Larynx Explanation Video (5:49)

Soft Palate Explanation Video (1:57)

Lip Rolls Demonstration Video (3:28)

SS360 TECH 2 Video Lesson (with Shelby Rollins) (11:14)

Closed ‘B’ Demonstration Video (2:17)

Tongue Trills (3:41)

Dampening of the Vocal Cords Video (4:03)

Vowel Shapes (4:07)

Frequently Asked Questions

When does the course and finish?
The course s now and you determine when it ends! You determine your pace. Most of our students never stop practicing because your voice is only going to keep getting better! The more you go through the program, the better you’re going to sound. AND you will be able to run through your favorite exercises before you perform!
How long do I have access to the course?
The streaming version of SS360 is only $30 per month — Only a dollar per day to train your voice! You have access as long as your membership is active.
What if I am unhappy with the course?
If you are unhappy with the course, we can give you a full refund 7 days after your original purchase. If you feel you have received all of the value in our program has to offer, you can cancel your membership at any time within your account details.

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